1. Extreme long shot
Extreme Long Shot
The extreme long shot is seen as a shot that
establishes the scene; this is due to the lack of detail but also due to the
distance as you don’t get to see the characters. We would use this in our
thriller to show the audience the setting we will be using
2. Long Shot
3. Medium Shot
Contains a figure from the knees/waist up and is
normally used for dialogue scenes, or to show some detail of action. Variations
on this include the TWO SHOT (containing two figures from the waist up) and the
THREE SHOT (contains 3 figures). NB. Any more than three figures and the
shot tend to become a long shot. You will also notice that the background will still
not have as much detail but will have more than other shots. We would you this shot
when we are zooming in on our characters talking towards each other.
4. Close-Up
This shows very little background, and concentrates
on either a face, or a specific detail of mise en scène. Everything else is
just a blur in the background. This shot magnifies the object or the person and
gives off more of a dramatic effect on the facial features of the person, we
would possibly use this shot to get the effect of our characters facial
features but also there reactions.
5. Extreme Close-Up
As its name suggests, an extreme version of the close
up, generally magnifying beyond what the human eye would experience in reality.
An extreme close-up of a face, for instance, would show only the mouth or eyes,
with no background detail whatsoever. This is a very artificial shot, and can
be used for dramatic effect. this again may be used for the same reason as the
close up.

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